Absolutely Stunning Pair of Classical Grand Tour Regency Period Bronze Urns of Campana Form, early Nineteenth Century.
Each with an egg and dart moulded rim above a frieze cast body with classical draped figures on an off white reeded statutory marble socle with gilt bronze rope edge applied decoration, ending on a square plinth with canted corners.
These pieces are unmarked, in our opinion they have the look and quality of Claude Michel Clodion.
Condition: Superb condition, these urns have been professionally re-bronze patinated, marble has been cleaned and re-polished.
Height: (entire) 11.5" (29cm). Diameter: (top rims) 4.5" (11.5cm). Width: (base) 4.5" (11.5cm).
Shipped to Phoenix, Arizona, USA.
The Grand Tour has long been a symbol of wealth and freedom. In the late 16th century, it became quite fashionable for young aristocrats to visit Italy and France, as the finishing touch on their classical education. Travel was arduous and costly during this time and possible only for a privileged class, and thus the Grand Tour lasted until the 19th century, when railways across Europe allowed for easier travel. While these travels were very popular with the English, they were also undertaken by other Northern Europeans as well as Americans.
The Grand Tour was developed out of the idea of travelling for the sake of curiosity and cultural development. These travels not only provided a cultural education but it also allowed wealthier Grand Tourists an opportunity to purchase items unavailable at home, and it thus increased the travellers social standing and prestige. Travellers would return with crates of books, paintings, sculpture, and other cultural goods, which would be displayed in libraries, gardens, and purpose built galleries in their homes.
A large number of artists Such as Giovanni Battista Piranesi and Giovanni Antonio Canal (Canalletto) benefited from the patronage of the Grand Tour, as travelers purchased souvenirs.